Archives for posts with tag: Margaret Chamberlain

Kohinoor watercolours

For her 18th birthday this year, my daughter received a Koh-i-noor watercolour set of a very clever design. It has four round discs, each with six colours and a depression in the middle for mixing. The discs screw together, one on top of the other, so that the whole set is about the size of a can of tuna when closed.

The gift was a surprise from her Dad, who got it in London on the advice of an artist friend. When she opened it I think I was even more thrilled than she was, because it was just like a paint set I had at her age! Mine was green rather than black, but otherwise it was exactly the same. I loved that set and used it for years, and until now I had never seen another one like it.

In senior school I loved working with watercolours, and the art teacher was happy to let me get on with painting what I wanted to with my own stackable watercolour set. I had a special Chinese paintbrush too, dark red with soft bristles that came to a perfect point.

Chinese brushes

These Chinese brushes are designed for calligraphy, and the bristles are made from weasel tails or goat hair. The top brush in this photo has soft goat hair, and the bottom one is a mixture of goat and the coarser weasel hair. I think my brush was a mixture too, though it was a long time ago and the brush is long lost. When I was 17 I used a photograph from the National Geographic magazine to paint this Inuit child:

Eskimo

The rich colours of my special paint set made it possible to get those warm skin tones and deep black of the shadows. My Chinese brush with its fine point allowed me to capture the loose hair on the child’s forehead.

There is nothing like working with real paint on real paper. But more and more these days, artists are turning to computers to produce very similar results that can be shared electronically and reproduced countless times. Many children’s books that were once illustrated the “old fashioned” way with pen and ink or other traditional media are now being brought to life digitally instead.

A good example of this trend is the work of my friend and illustrator Margaret Chamberlain. She has been illustrating children’s books for over 20 years, and when she first illustrated one of my books (Pink! in 2008) it was a departure for her into a new technique and simpler style. Her earlier books had always been done with richly detailed ink and watercolour artwork. An excellent example of this is The Enchanted Flute by Angela McAllister:

©Margaret Chamberlain 1990

©Margaret Chamberlain 1990

The central character of this story is an impossibly demanding monarch, Queen Pernickity, who wants only the very best of everything. You can see from the illustration above that Margaret has created texture and lots of detail with a fine ink outline and rich colour using watercolours.

In her later work, Margaret used computer programmes and a tablet to create effects that look just like watercolours and ink. She says it takes much less time working on a computer, and it’s easy to correct mistakes. The finished illustration is very similar to real paint on paper, and it can be sent directly to publishers and printers to produce a finished book.

So is there any future for real paint and paper?

Another recent invention, the WaterColorBot, has reversed this relationship between art and computers. Instead of computer art replacing paint and paper, this machine translates art drawn on a computer into “real” art through a mechanised process similar to an Etch-a-Sketch:

©Evil Mad Scientist Laboratories 2013

©Evil Mad Scientist Laboratories 2013

The paintbrush moves around an x and y axis (two metal rods) powered by pulleys and wire cables. In this way a drawing made on a computer can be reproduced multiple times, and the WaterColorBot becomes a type of printer. The idea began with a 12-year-old girl called Sylvia who wanted to make a robot for a science fair. She has her own website, Sylvia’s Super-Awesome Maker Show, where she demonstrates fun creative projects. When she took her idea of a painting robot to the people at Evil Mad Scientist Laboratories they were happy to help out!

My daughter is still keen to experiment with real ink and watercolours, and has done a few sketches with her new paint set:

©Anna Rickards 2014

©Anna Rickards 2014

©Anna Rickards 2014

©Anna Rickards 2014

Even though technology seems to have made real paint and paper somewhat obsolete, I’m quite tempted to buy myself a little Koh-i-noor paint set too…

©Lynne Rickards 2002

©Lynne Rickards 2002

Patrick for invoice

The best thing about being a picture book writer is seeing your ideas come alive in the hands of a talented illustrator. Two of my stories are in the process of being illustrated just now, and it’s very exciting for me to see the way they are going to look!

Most of my stories start with a central character, and that was certainly true of Pink! which was illustrated by Margaret Chamberlain. She cleverly captured the personality of a little penguin called Patrick who woke up one morning to discover he had turned bright pink.

Patrick and pals

Margaret has also illustrated another of my picture books, I Do Not Eat the Colour Green. In that story I imagined a determined little girl called Marlene with curly red hair (I’m not sure why) and this is what Margaret came up with:

Marlene McKean

She does look very stroppy, doesn’t she? Luckily the story ends with a smile as she discovers she does like green things after all.

Another illustrator whose work has been the perfect complement to my stories is Gabby Grant, who illustrated my two puffin books, Lewis Clowns Around and Harris the Hero. She is brilliant at drawing animals, so she was the right choice for these two books!

cute acrobats.jpg

Lewis and Harris are puffin brothers, but Lewis decides he belongs in the circus. Here you can see him performing with his fellow clown Karla the Koala. When Lewis flies off to town, his brother Harris is left all alone. Feeling lonely without a friend, Harris decides to go on his own adventure, which of course ends happily!

Harris on his own

Gabby has managed to show Harris looking sad here, which is no mean feat when it’s a stripy-beaked puffin! She is also very good at painting water and clouds, and I especially like her bird’s-eye-view angles.

Another book whose illustrations I was very pleased with is Jacob O’Reilly Wants a Pet. I didn’t really have an idea of what Jacob should look like, but this story was also full of animals (a whole range of pets) which illustrator Lee Wildish has drawn with lots of humour.

Jacob O'Reilly

The publisher decided the cover should have a walrus in the bathtub (one of the pets Jacob asks for) and it’s quite a good choice I think!

Authors don’t often get a say in who the illustrator will be. Sometimes if we’re lucky we get to see a few sample drawings and say which style we prefer. As the book is being illustrated, we can usually see the rough pencil sketches of each page and help check the text to make sure no mistakes have crept in. Later we get to see the colour “proofs” and at that point it’s pretty much too late to make any changes.

Last week I was sent rough sketches for two of my books, which was very exciting! The first is a book all about healthy eating which is called Never Bite a Tiger on the Nose. The illustrator is Eilidh Muldoon and she has done some lovely things with all my characters who are trying to eat tigers and alligators and elephants!

Abigail and Crocodile

I love the way Eilidh creates sweeping curves in her illustrations. Here we have a little girl called Abigail who wants to eat an alligator’s tail. There are also children called Emmylou, Humperdink, Lola Rose and Leopold.

veg and fruit baskets

As you can see, Eilidh has done some charming sketches of all the healthy food these children should be eating, and I think the book is going to look great when it’s done! Take a look at this clever little monkey:

monkey with banana

Once the book is finished it will be given out to preschool children across Scotland as part of the Scottish Book Trust’s Bookbug scheme. I can’t wait!

The other book that’s in the works is called One Potato. This was inspired both by the healthy eating theme and by a special request from a boy in P4 at Comely Park Primary School where I am Patron of Reading. One afternoon when I was visiting the school, Kofi put up his hand and told me that he and his friend Adam were writing a story about a runaway potato and an eagle. He asked me to write one too, and I agreed, thinking it would be a good exercise.

When I finally got down to writing my potato story, I decided to start with the rhyme, One Potato, Two Potato, Three Potato, Four. When the story was finished I sent it to Kofi’s teacher and the whole P4 year group spent some time doing illustrations for me!

One potato, two potato, three potato, four. Nice and cosy underground, they don't know what's in store...

One potato, two potato, three potato, four.
Nice and cosy underground, they don’t know what’s in store…

Suddenly a farmer's fork comes down to dig them out. They roll around upon the ground - what can this be about?

Suddenly a farmer’s fork comes down to dig them out.
They roll around upon the ground – what can this be about?

Then one by one they're tossed inside a bucket made of tin. Clatter, clang, bump and bang, we hear them going in.

Then one by one they’re tossed inside a bucket made of tin.
Clatter, clang, bump and bang, we hear them going in.

Thanks to Willow Reed, Olivia Kinloch and Abby Reid for providing those three illustrations. (There were lots more, so I’m sorry not to have room for them all here. I keep them all in my special Comely Park Primary folder).

The potato decides he does not want to go into the soup pot, and he rolls into the garden and tells the farmer’s wife she should put some other vegetables in her soup instead. She chases him all around the garden but he is too quick for her, and as he rolls down the road he says, “Nobody’s cooking me!”

I was delighted when my potato story was picked up for the Collins Big Cat series, so I have Kofi and Adam to thank for that! The preliminary sketches for One Potato are looking great, so I’ll let you know when that one comes out. The illustrator they have chosen is brilliant, but more about that later…

There are so many wonderful children’s illustrators out there that I could write about it all day! Maybe the next blog post will be about all the artists I would like to illustrate my stories. Seeing these two books come alive has certainly inspired me to get writing more!